TweetFollow Us on Twitter

Catching a WAVE

Volume Number: 13 (1997)
Issue Number: 11
Column Tag: develop

Catching a WAVE

by Tim Monroe, Apple Computer, Inc.

Playing WAVE Files on the MacOS

By far the most common type of sound file on Windows computers (and hence on personal computers in general) is the .WAV format file, also called a WAVE file or a waveform file. Collections of WAVE files are easily accessible on the Internet and elsewhere, and the number of WAVE files available for downloading far outstrips the number of Macintosh sound files. So what's a loyal Macintosh programmer to do when confronted with audio content in WAVE format? The Sound Manager's SndStartFilePlay function won't play WAVE files (not yet, at least), but it's easy to use other Sound Manager capabilities to play the data contained in a WAVE file.

In this article, I'll show how to open, parse, and play a WAVE file. In fact, this is a surprisingly simple thing to do, largely because the digitized sound data in a WAVE file is stored in pretty much the same format as digitized sound data on the Mac. So, all we need to do is extract the sound data from the WAVE file and pass it to standard Sound Manager routines. If you've never used the low-level Sound Manager interfaces, this will be a good introduction. Along the way, you'll also learn how to deal with the WAVE file's chunk architecture and the little-endian byte ordering used on Windows.

If you're not inclined to work with sound files at this low level, don't despair. At the end of this article, I'll show an alternate strategy for playing WAVE files that uses the QuickTime APIs instead of the Sound Manager. Indeed, if you're really averse to low-level coding, you should skip straight to the section "Surfing with QuickTime" and read about the high-level method. Otherwise, strap on your wet suit, and let's go!

The Chunk Architecture

A WAVE file contains digitized (that is, sampled) sound data, just like most sound files and resources on the Macintosh. A WAVE file also contains information about the format of the sound data, such as the number of bits per sample and the number of channels of audio data (mono vs. stereo). The various kinds of data in a WAVE file are isolated from one another using an architecture based on chunks. A chunk is simply a block of data together with a chunk header, which specifies both the type of the chunk and the size of the chunk's data. Figure 1 illustrates the basic structure of a chunk.

Figure 1. The basic structure of a chunk.

A WAVE file always contains at least two chunks, a data chunk that contains the sampled sound data, and a format chunk that contains information about the format of the sound data. These two chunks (and any others that might occur in the file) are packaged together inside of another chunk, called a container chunk or a RIFF chunk. Like any chunk, the RIFF chunk has a header (whose chunk type is 'RIFF') and some chunk data. For RIFF chunks, the chunk data begins with a data format specifier followed by all the other chunks in the file. The format specifier for a WAVE file is 'WAVE'. Figure 2 shows the general structure of any WAVE file.

Figure 2. The basic structure of a WAVE file.

The first thing we'll do is define some data structures that will help us extract the information from a chunk header or from the chunk data. In C, we can represent a chunk header like this:

typedef struct ChunkHeader {
  FOURCC    fChunkType;      // the type of this chunk
  DWORD    fChunkSize;      // the size (in bytes) of the chunk data
} ChunkHeader, *ChunkHeaderPtr;

Here, we're using standard Windows data types; on the Macintosh, these types are #define'd to more familiar types:

#define WORD    UInt16
#define DWORD    UInt32
#define FOURCC  OSType

We can represent a format chunk like this:

typedef struct FormatChunk {
  ChunkHeader  fChunkHeader;    // the chunk header; fChunkType == 'fmt '
  WORD    fFormatType;        // format type
  WORD    fNumChannels;        // number of channels
  DWORD  fSamplesPerSec;    // sample rate
  DWORD  fAvgBytesPerSec;  // byte rate (for buffer estimation)
  WORD    fBlockAlign;        // data block size
  WORD    fAdditionalData;    // additional data
} FormatChunk, *FormatChunkPtr;

And, finally, we can represent the relevant parts of a RIFF chunk like this:

typedef struct RIFFChunk {
  ChunkHeader  fChunkHeader;    // the chunk header; fChunkType == 'RIFF'
  FOURCC    fFormType;        // the data format; 'WAVE' for waveform files
                          // additional chunk data follows here
} RIFFChunk, *RIFFChunkPtr;

It's very easy to parse a file that is structured into chunks. You simply begin at the start of the file data, which is guaranteed to be the beginning of the container chunk. You can find the first subchunk by skipping over the container chunk header and any additional container chunk data. And you can find any succeeding subchunks by skipping over the subchunk header and the number of bytes occupied by the subchunk data. Listing 1 shows how to find the beginning of a chunk of a specific type.

Listing 1: Finding a chunk of a specific type

OSErr GetChunkType (short theFile, OSType theType, 
                    long theStartPos, long *theChunkPos)
{
  OSErr        myErr = noErr;
  long          myLength = sizeof(ChunkHeader);
  UInt32        myOffset;
  ChunkHeader    myHeader;
  Boolean      isFound = false;
  // set file mark relative to start of file
  myErr = SetFPos(theFile, fsFromStart, theStartPos);
  if (myErr != noErr)
    return(myErr);
    // search the file for the specified chunk type
  while (!isFound && (myErr == noErr)) {
    // load the chunk header
    myErr = FSRead(theFile, &myLength, &myHeader);
    if (myErr == noErr) {
      if (myHeader.fChunkType == theType) {
        isFound = true;        // we found the desired chunk type
        myErr = GetFPos(theFile, theChunkPos);
        *theChunkPos -= myLength;
      } else {
        if (myHeader.fChunkType == kChunkType_RIFF)
          myOffset = sizeof(FOURCC);
        else
          myOffset = Swap_32(myHeader.fChunkSize);
        if (myOffset % 2 == 1)  // make sure chunk size is even
          myOffset++;
          myErr = SetFPos(theFile, fsFromMark, myOffset);
      }
    }
  }
  return(myErr);
}

The function GetChunkType starts searching the file data at a location (theStartPos) passed to it, which is assumed to be the start of a chunk. GetChunkType reads in the chunk header and looks to see if it has found the chunk of the desired type. If so, it returns the file position of the first byte of the chunk header. Otherwise, GetChunkType figures out where in the file the next chunk begins. If the current chunk is a container chunk, then the next chunk begins after the data format specifier; otherwise, the next chunk is to be found after the current chunk's data, whose size is specified in the chunk header. (Notice that in determining the size of the current chunk, we need to use the macro Swap_32; see "Which End Is Which?" for an explanation of why this is necessary.)

Once we know how to find the beginning of a particular chunk, it's easy to get the chunk's data. Listing 2 defines a function GetChunkData that returns a pointer to a buffer of memory containing both the chunk header and the data in the chunk.

Listing 2: Getting a chunk's data

ChunkHeaderPtr GetChunkData
        (short theFile, OSType theType, long theStartPos)
{
  long            myFPos;
  ChunkHeader      myHeader;
  Ptr            myDataPtr = NULL;
  OSErr          myErr = noErr;
  long            myLength;
  // get position of desired chunk type in file
  myErr = GetChunkType(theFile, theType, 
                          theStartPos, &myFPos);
  // set file mark at the start of the chunk
  if (myErr == noErr)
    myErr = SetFPos(theFile, fsFromStart, myFPos);
if (myErr == noErr) {
    myLength = sizeof(myHeader);
    // load the chunk header
    myErr = FSRead(theFile, &myLength, &myHeader);
    if (myErr != noErr)
      return(NULL);
    // set file mark at the start of the chunk header
    myLength += Swap_32(myHeader.fChunkSize);
    myErr = SetFPos(theFile, fsFromStart, myFPos);
  }
  if (myErr == noErr) {
    myDataPtr = NewPtrClear(myLen);
    myErr = MemError();
    if (myDataPtr != NULL)
      myErr = FSRead(theFile, &myLength, myDataPtr);
  }
  if (myErr != noErr) {
    DisposePtr(myDataPtr);
    myDataPtr = NULL;
  }
  return((ChunkHeaderPtr)myDataPtr);
}

GetChunkData calls GetChunkType to find the beginning of the chunk of the desired kind; then it reads the chunk header to find the size of the chunk data. (Once again, we've used the macro Swap_32 to massage the chunk data length as it's stored in the file.) Finally, GetChunkData allocates a buffer large enough to hold the entire chunk (header and data) and returns the pointer to the caller.

Here's a pleasant surprise: the functions GetChunkType and GetChunkData are simply slightly modified C language translations of the functions MyFindChunk and MyGetChunkData found in Inside Macintosh: Sound (pages 2-63 and 2-65, respectively). We could use those functions, suitably modified, because the AIFF format (defined by Apple and described in Inside Macintosh: Sound) and the RIFF format (defined by Microsoft and used for WAVE files) are both chunk-based formats, which descend from a common parent. See the sidebar "A Brief History of IFF" for details.

Which End Is Which?

Now we know how to find a chunk in a RIFF file and read the data in that chunk into memory. We've already seen, however, that we sometimes need to play with that data before we can use it. That's because of a difference in the way multi-byte data is accessed on Motorola and Intel processors. Motorola processors in the 680x0 family expect multi-byte data to be stored with the most significant byte lowest in memory. This is known as "big-endian" byte ordering (because the "big" end of the data value comes first in memory). Intel processors used for Windows machines expect multi-byte data to be stored with the least significant byte lowest in memory; this is known as "little-endian" byte ordering. (See Figure 3, which shows the value 0x12345678 stored in both Motorola 680x0 and Intel formats.) The PowerPC family of processors supports both big- and little-endian byte orderings, but uses big-endian when running the MacOS.

Figure 3. Big- and little-endian byte ordering.

The data stored in a WAVE file is little-endian. As a result, to use that data in a Macintosh application, we need to convert the little-endian data to big-endian data -- but only for data that is larger than 8 bits. For instance, the chunk data size field in a chunk header is 4 bytes long, so we need to swap the bytes using our macro Swap_32. Later, we'll also need to swap the two bytes in a 16-bit field, so we can define these macros:

#define Swap_32(value)         \
    (((((UInt32)value)<<24) & 0xFF000000) | \
     ((((UInt32)value)<< 8) & 0x00FF0000) | \
     ((((UInt32)value)>> 8) & 0x0000FF00) | \
     ((((UInt32)value)>>24) & 0x000000FF))

#define Swap_16(value)         \
    (((((UInt16)value)>> 8) & 0x000000FF) | \
     ((((UInt16)value)<< 8) & 0x0000FF00))

You might be wondering why we didn't need to swap bytes when reading the chunk type from a file. That's because a chunk type is a sequence of four (8-bit) characters. When reading individual characters, no byte swapping is necessary. A byte in little-endian byte ordering is the same as a byte in big-endian byte ordering. For this same reason, we don't need to do any work when reading 8-bit audio samples from the WAVE file and (eventually) passing them to the Sound Manager.

For 16-bit audio samples, however, the bytes do need to be swapped before they can be passed to the Sound Manager. You could do this yourself, by loading all the data into a buffer and then running through the buffer swapping every pair of bytes. Better yet, if you're using Sound Manager version 3.1 or later, you can have the Sound Manager do the byte swapping for you. You do this by invoking the 'sowt' data decompressor on the (uncompressed) 16-bit audio data. (Notice that 'sowt' is 'twos' with the bytes swapped; 16-bit data is stored in a two's-complement format.) See Listing 6 for the exact details of invoking this codec on 16-bit audio data.

It's worth mentioning that RIFF has a counterpart, RIFX, that uses Motorola byte ordering. A RIFX file is exactly like a RIFF file except that the container chunk has the ID 'RIFX' and all multi-byte values are stored in big-endian format. Naturally, if you encounter a RIFX file, you can dispense with all the byte swapping.

Opening the WAVE File

Of course, before we can start reading the data in a WAVE file, we need to open the file. On the Macintosh Operating System, a WAVE file is contained entirely in a file's data fork. Listing 3 defines a simple function that lets the user select a WAVE file for playing and then calls FSpOpenDF to open the file for reading.

Listing 3: Opening a WAVE file

short OpenWaveFile (void)
{
  StandardFileReply  myReply;
  SFTypeList        myTypeList = {'WAVE', 'BINA', 0, 0};
  short            myRefNum;
  OSErr            myErr = noErr;
  // elicit a file from the user
  StandardGetFile(NULL, 2, myTypeList, &myReply);
  if (!myReply.sfGood)
    return(-1);
  // open the file's data fork for reading
  myErr = FSpOpenDF(&myReply.sfFile, fsRdPerm, &myRefNum);
  if (myErr != noErr)
    return((short)myErr);
  else
    return(myRefNum);
}

Notice that we're allowing the user to select files whose type is either 'WAVE' or 'BINA'. I've found that files downloaded from the Internet usually have a file type of 'WAVE', while files copied over a local area network from a PC sometimes have the file type 'BINA'. To make sure that we've gotten an actual WAVE file, we can execute this code:

Listing 4: Verifying a WAVE file

myDataPtr = GetChunkData(myRefNum, kChunkType_RIFF, 0);
if (myDataPtr != NULL) {
  RIFFChunkPtr  myRIFFPtr = (RIFFChunkPtr)myDataPtr;
  FOURCC                                  myFormType;
    myFormType = myRIFFPtr->fFormType;
  DisposePtr((Ptr)myDataPtr);
  if (myFormType != kRIFFType_WAVE)
    return(badFileFormat);
}

Using the Sound Manager

Once we've opened a bona fide WAVE file, we can get the sampled sound data from it by calling GetChunkData, like this:

ChunkHeaderPtr  myDataPtr = GetChunkData(myRefNum, kChunkType_Data, 0);

If this call succeeds, it returns a pointer to a buffer that contains the entire sound data chunk, from which we can get the actual sound data by skipping over the chunk header. The natural thing to do is play the sound using the Sound Manager's bufferCmd sound command. The only relevant parameter to bufferCmd is the address of a sound header structure, which tells the Sound Manager where the audio data is and what its properties are. So, we need to get the information about the WAVE sound and put that information into the sound header structure. Listing 5 shows how to read the sound format information from the WAVE file.

Listing 5: Getting the sound format information

myDataPtr = GetChunkData(myRefNum, kChunkType_Format, 0);
if (myDataPtr != NULL) {
  FormatChunkPtr  myFormatPtr = (FormatChunkPtr)myDataPtr;
  myFormat = Swap_16(myFormatPtr->fFormatType);
  myNumChannels = Swap_16(myFormatPtr->fNumChannels);
  mySampleRate = 
            Long2Fix(Swap_32(myFormatPtr->fSamplesPerSec));
  myBitsPerSample = Swap_16(myFormatPtr->fAdditionalData);
  DisposePtr((Ptr)myDataPtr);
  // currently, we support only standard PCM encoding
  if (myFormat != WAVE_FORMAT_PCM)
    return(badFileFormat);
}

As before, we need to swap the bytes on any data read from the file that's longer than 8 bits. The fFormatType field of a format chunk specifies the type of WAVE file. Here we support only uncompressed files, which have the type WAVE_FORMAT_PCM.

Now we need to fill in a sound header with this data. The Sound Manager defines three different sound headers. Which sound header we use depends on the features of the sound to be played. Because we want to invoke the 'sowt' decompressor for 16-bit data, we'll use the sound header of type CmpSoundHeader. Listing 6 shows how to fill in the sound header.

Listing 6: Filling in a sound header

CmpSoundHeader  mySoundHeader;

// fill in a compressed sound header structure, 
mySoundHeader.samplePtr =             // skip the chunk header
                    (Ptr)myDataPtr + sizeof(ChunkHeader);
mySoundHeader.numChannels = myNumChannels;
mySoundHeader.sampleRate = mySampleRate;
mySoundHeader.loopStart = 0;
mySoundHeader.loopEnd = 0;
mySoundHeader.encode = cmpSH;
mySoundHeader.baseFrequency = kMiddleC;
mySoundHeader.numFrames = 
                (Swap_32(myDataPtr->fChunkSize) * 8) / 
                (myNumChannels * myBitsPerSample);
mySoundHeader.markerChunk = NULL;
mySoundHeader.format = kCompressType_None;
mySoundHeader.futureUse2 = 0;
mySoundHeader.stateVars = NULL;
mySoundHeader.leftOverSamples = NULL;
mySoundHeader.compressionID = notCompressed;
mySoundHeader.packetSize = 0;
mySoundHeader.snthID = 0;
mySoundHeader.sampleSize = myBitsPerSample;
// remember that data in a WAVE file is stored in little-endian byte ordering;
// accordingly, for 16-bit sounds, we need to invoke the 'sowt' decompressor
// that will swap bytes for us (available only in Sound Manager 3.1 and later)
if (myBitsPerSample == 16) {
  mySoundHeader.format = 'sowt';
  mySoundHeader.compressionID = fixedCompression;
}

This is all straightforward. Note how easy it is to invoke the 'sowt' decompressor; we just define the compression type and compression ID to the appropriate values. The next step is to send a sound command to a sound channel. We construct a sound command like this:

SndCommand      mySoundCommand;
// now play the sound using a bufferCmd
mySoundCommand.cmd = bufferCmd;
mySoundCommand.param1 = 0;        // unused with bufferCmd
mySoundCommand.param2 = (long)&mySoundHeader;

Finally, Listing 7 shows how to allocate a sound channel and pass the sound command to that channel by calling SndDoImmediate:

Listing 7: Playing a buffer of sound data

SndChannelPtr    mySoundChannel = NULL;
// allocate a sound channel
myErr = SndNewChannel(&mySoundChannel, sampledSynth, 
                                        initMono, NULL);
if (mySoundChannel != NULL)
  myErr = SndDoImmediate(mySoundChannel, &mySoundCommand);

At this point, if everything has gone according to plan, the Sound Manager will begin playing the sound that we've loaded from the WAVE file.

Looking for the Really Big Wave

Here I've shown how to open, parse, and play both 8-bit and 16-bit mono and stereo WAVE files. For commercial products, however, you'll probably want to make a few enhancements to this code. For instance, I've supposed that the sound data can always fit into the available memory. For very large WAVE files, this might not be true. In that case, you can implement a double-buffering scheme by reading small portions of the sampled sound data into one of two (or more) buffers and then playing that data using the bufferCmd sound command. This method for handling large sound files is suggested by Olson, 1995. Note that the use of the SndPlayDoubleBuffer function (as illustrated in Day, 1991) is no longer recommended.

In addition, a more complete WAVE-playing application would want to add support for the standard compression algorithms you're likely to find in compressed WAVE files, as well as beef up the sound management capabilities so that you can adjust the volume and balance of the sound, change its pitch, and so forth. Since you're using the Sound Manager to play the WAVE files, you have access to the full range of its capabilities. For instance, you can install callback routines to trigger the deallocation of the sound buffers when the sounds are finished playing. All of these capabilities are illustrated in a code sample called SndPlayDoubleBuffer written by Mark Cookson of Apple DTS that's included on the Developer CD series. (Look in the folder Sound inside the Snippets folder; better yet, check out the URL listed at the end of this article.)

Surfing with QuickTime

QuickTime, as I've reported elsewhere (Monroe, 1997), has evolved into a cross-platform vehicle for the authoring, delivery, and playback of digital multimedia content. One thing this means is that QuickTime is very, very good at playing sounds. Indeed, current versions of QuickTime are able to handle 8- and 16-bit uncompressed WAVE files, and the forthcoming version 3.0 (on both MacOS and Windows) will handle compressed WAVE data as well. So, you can use the standard QuickTime APIs to open and play WAVE files, unless you absolutely need to use Sound Manager capabilities that are not directly supported by QuickTime.

The basic idea to using QuickTime to play WAVE files is to call the NewMovieFromFile function. If the specified file does not contain a movie resource, NewMovieFromFile tries to locate a movie data import component that converts the file data into a movie, which can then be played using standard QuickTime functions. Listing 8 shows a routine that opens and plays a waveform file using the QuickTime API.

Listing 8: Playing WAVE files with QuickTime

void PlayWaveUsingQuickTime (void)
{
  StandardFileReply    myReply;
  SFTypeList          myTypeList = {'WAVE', 0, 0, 0};
  short              myRefNum;
  Movie              myMovie;
    // elicit a file from the user
  StandardGetFile(NULL, 2, myTypeList, &myReply);
  if (!myReply.sfGood)
    return;
    // use QuickTime routines to play the sound
  EnterMovies();
  OpenMovieFile(&myReply.sfFile, &myRefNum, fsRdPerm);
  NewMovieFromFile(&myMovie, myRefNum, NULL, NULL, 0, NULL);
  if (myRefNum != 0)
    CloseMovieFile(myRefNum);
  StartMovie(myMovie);
  while (!IsMovieDone(myMovie))
    MoviesTask(myMovie, 0);
  DisposeMovie(myMovie);
}

PlayWaveUsingQuickTime begins by calling StandardGetFile to elicit a file from the user. Then it opens the file and calls NewMovieFromFile to create a movie from the sampled sound data in the file. The remainder of the function simply starts the movie playing and waits until it's finished.

Now I suspect you're wondering why we bothered at all with parsing chunks and swapping bytes, if QuickTime can do it all for us? That's a good question. First, your application might be concerned primarily with playing sounds, and you might already have developed an architecture for tracking and disposing of buffers of sound data. In that case, the techniques shown earlier in this article are likely to integrate into your existing code more easily than the QuickTime technique shown in Listing 8. Also, as noted earlier, using the Sound Manager directly gives you access to a large set of tools that you can use to modify the sounds being played. QuickTime supplies some of these capabilities, but not all of them. For instance, you can use the Sound Manager's rateCmd to alter the sample rate of a sound already being played. To my knowledge, there is no way to do this using just the QuickTime APIs. Nevertheless, for the vast majority of cases, where you simply want to play a WAVE file and perhaps pause it at various times, the QuickTime solution is simpler and far more elegant.

A Brief History of IFF

The chunk architecture was developed in the mid 1980's by Electronic Arts, an interactive entertainment software developer, in conjunction with Commodore-Amiga. The goal was to be able to store data (particularly multimedia data such as sounds, images, and animation controls) in a format that makes the data easy to move from one operating system to another. A chunk is just a block of data that has both a type and a length. (The representation of a chunk type as a four character sequence was borrowed directly from the Macintosh's use of four character file types, resource types, and so forth.) Electronic Arts defined the structure of chunks and the means of storing chunks in files. This simple structure was designed to make these files easy to parse and create. See Morrison, 1985 for a description of the Interchange File Format (IFF) standard.

Electronic Arts' IFF standard was soon used by Apple as the basis for the Audio Interchange File Format (AIFF) and the Audio Interchange File Format for Compression (AIFF-C) specifications. As the names suggest, Apple used these formats primarily to store audio data such as sampled sound data or MIDI data, along with associated information about that data. In System 7.0, Apple introduced an enhanced Sound Manager that provides system software support for reading and writing AIFF files. Other manufacturers, SGI for example, have also adopted AIFF as a standard sound file format.

In Windows 3.1, Microsoft introduced its own version of the IFF standard: the Resource Interchange File Format (RIFF). RIFF supports a wide range of data types, including bitmaps, color palettes, audio-video interlaced (AVI) data, MIDI data, and waveform data. The Win32 programming interfaces include support for reading and writing RIFF files.

Bibliography and References

  • Day, Neil. "Around and Around: Multi-Buffering Sounds". develop, The Apple Technical Journal, issue 11 (August 1992), pp. 38-58.
  • Inside Macintosh: QuickTime, by Apple Computer, Inc. (Addison-Wesley, 1993).
  • Inside Macintosh: QuickTime Components, by Apple Computer, Inc. (Addison-Wesley, 1993).
  • Inside Macintosh: Sound, by Apple Computer, Inc. (Addison-Wesley, 1994).
  • Monroe, Tim. "The QuickTime Media Layer". MacTech Magazine, volume 13, no. 7 (July 1997), pp. 51-54.
  • Morrison, Jerry. EA IFF 85 Standard for Interchange Format Files (Electronic Arts, 1985).
  • Olson, Kip. "Sound Secrets". develop, The Apple Technical Journal, issue 24 (December 1995), pp. 45-55.

URLs

You can find the IFF specification (Morrison, 1985) at many sites on the World Wide Web; try http://www.sprog.auc.dk/~motr96/sirius/neuro/dev/extrefs/iff_spec.txt. For the RIFF specification, look at http://www.seanet.com/HTML/Users/matts/riffmci/riffmci.htm. For the sample double buffering application SndPlayDoubleBuffer by Mark Cookson, see http://devworld.apple.com/techsupport/source/SSound.html.

Acknowledgements

Thanks to Mark Cookson, Peter Hoddie, and Jim Reekes for reviewing this article.


Tim Monroe is a software engineer on Apple's QuickTime VR team. In his first eight years at Apple, he worked on the Inside Macintosh team, where he wrote developer documentation for QuickDraw 3D, QuickTime VR, the sound and speech technologies, and a host of other APIs. You can contact him at monroe@apple.com.

 
AAPL
$112.94
Apple Inc.
+1.16
MSFT
$47.98
Microsoft Corpora
+0.32
GOOG
$524.87
Google Inc.
+8.52

MacTech Search:
Community Search:

Software Updates via MacUpdate

NeoOffice 2014.6 - Mac-tailored, OpenOff...
NeoOffice is a complete office suite for OS X. With NeoOffice, users can view, edit, and save OpenOffice documents, PDF files, and most Microsoft Word, Excel, and PowerPoint documents. NeoOffice 3.x... Read more
LibreOffice 4.3.5.2 - Free Open Source o...
LibreOffice is an office suite (word processor, spreadsheet, presentations, drawing tool) compatible with other major office suites. The Document Foundation is coordinating development and... Read more
CleanApp 5.0.0 Beta 5 - Application dein...
CleanApp is an application deinstaller and archiver.... Your hard drive gets fuller day by day, but do you know why? CleanApp 5 provides you with insights how to reclaim disk space. There are... Read more
Monolingual 1.6.2 - Remove unwanted OS X...
Monolingual is a program for removing unnecesary language resources from OS X, in order to reclaim several hundred megabytes of disk space. It requires a 64-bit capable Intel-based Mac and at least... Read more
NetShade 6.1 - Browse privately using an...
NetShade is an Internet security tool that conceals your IP address on the web. NetShade routes your Web connection through either a public anonymous proxy server, or one of NetShade's own dedicated... Read more
calibre 2.13 - Complete e-library manage...
Calibre is a complete e-book library manager. Organize your collection, convert your books to multiple formats, and sync with all of your devices. Let Calibre be your multi-tasking digital librarian... Read more
Mellel 3.3.7 - Powerful word processor w...
Mellel is the leading word processor for OS X and has been widely considered the industry standard since its inception. Mellel focuses on writers and scholars for technical writing and multilingual... Read more
ScreenFlow 5.0.1 - Create screen recordi...
Save 10% with the exclusive MacUpdate coupon code: AFMacUpdate10 Buy now! ScreenFlow is powerful, easy-to-use screencasting software for the Mac. With ScreenFlow you can record the contents of your... Read more
Simon 4.0 - Monitor changes and crashes...
Simon monitors websites and alerts you of crashes and changes. Select pages to monitor, choose your alert options, and customize your settings. Simon does the rest. Keep a watchful eye on your... Read more
BBEdit 11.0.2 - Powerful text and HTML e...
BBEdit is the leading professional HTML and text editor for the Mac. Specifically crafted in response to the needs of Web authors and software developers, this award-winning product provides a... Read more

Latest Forum Discussions

See All

This Week at 148Apps: December 15-19, 20...
Happy Holidays from 148Apps!   How do you know what apps are worth your time and money? Just look to the review team at 148Apps. We sort through the chaos and find the apps you’re looking for. The ones we love become Editor’s Choice, standing out... | Read more »
New Version of Tempo Smart Calendar Help...
New Version of Tempo Smart Calendar Helps You Plan Your Day Without Opening the App Posted by Jessica Fisher on December 22nd, 2014 [ permalink ] | Read more »
Sparkle - Advanced Cross-Synthesis (Mus...
Sparkle - Advanced Cross-Synthesis 1.0 Device: iOS Universal Category: Music Price: $6.99, Version: 1.0 (iTunes) Description: Sparkle is a tool for advanced spectral hybridizations made of several algorithms that operate on frequency... | Read more »
DICETINY is coming to iOS in 2015
DICETINY is coming to iOS in 2015 Posted by Jessica Fisher on December 22nd, 2014 [ permalink ] Fakedice has announced that they’re bringing their digital board game DICETINY to iOS. | Read more »
It Came From Canada: The Witcher Battle...
The Witcher 3: Wild Hunt may still be a few months away, but very soon players will be able to get a new taste of the acclaimed Polish RPG on their mobile devices with The Witcher Battle Arena. While it trades open-world exploration for compact... | Read more »
The Babies Get Lost Again in the New Azt...
The Babies Get Lost Again in the New Aztec Ruins Update for Light in the Dark Posted by Jessica Fisher on December 22nd, 2014 [ permalink ] | Read more »
Living Room 3D for IKEA Makes All In-App...
Living Room 3D for IKEA Makes All In-App Purchases Free Until 2015 Posted by Jessica Fisher on December 22nd, 2014 [ permalink ] | Read more »
Crossbow Warrior – The Legend of William...
Crossbow Warrior – The Legend of William Tell Review By Lee Hamlet on December 22nd, 2014 Our Rating: :: MISSES THE MARKUniversal App - Designed for iPhone and iPad Crossbow Warrior details the entertaining adventures of legendary... | Read more »
A New Update Races onto Asphalt 8: Airbo...
A New Update Races onto Asphalt 8: Airborne Posted by Jessica Fisher on December 22nd, 2014 [ permalink ] Universal App - Designed for iPhone and iPad | Read more »
Workflow: Powerful Automation Made Simpl...
Workflow: Powerful Automation Made Simple Review By Campbell Bird on December 22nd, 2014 Our Rating: :: GO WITH THE FLOWUniversal App - Designed for iPhone and iPad This powerful app lets users accomplish multiple tasks at touch of... | Read more »

Price Scanner via MacPrices.net

13-inch 2.4GHz Retina MacBook Pro (Apple refu...
The Apple Store has previous-generation Apple Certified Refurbished 13″ 2.4GHz/128GB Retina MacBook Pros available for $999. Apple’s one-year warranty is standard, and shipping is free: - 13″ 2.4GHz/... Read more
Apple resellers offer free overnight shipping
The Apple Store is now offering free next-day shipping on all in stock items if ordered before 12/23/14 at 10:00am PT. Local store pickup is also available within an hour of ordering for any in stock... Read more
Holiday sales continue: MacBook Airs for up t...
 B&H Photo has 2014 MacBook Airs on sale for up to $120 off MSRP, for a limited time, for the Thanksgiving/Christmas Holiday shopping season. Shipping is free, and B&H charges NY sales tax... Read more
Holiday sale continues: 13-inch Retina MacBoo...
 B&H Photo has new 13″ MacBook Pros on sale for up to $150 off MSRP as part of their Holiday pricing. Shipping is free, and B&H charges NY sales tax only: - 13″ 2.5GHz MacBook Pro: $979 save... Read more
Holiday sale continues: 15-inch Retina MacBoo...
 B&H Photo has the new 2014 15″ Retina MacBook Pros on sale for up to $300 off MSRP for a limited time. Shipping is free, and B&H charges NY sales tax only: - 15″ 2.2GHz Retina MacBook Pro: $... Read more
Holiday sale: 13-inch 128GB MacBook Air for $...
 Best Buy has the 2014 13-inch 1.4GHz 128GB MacBook Air on sale for $849.99, or $150 off MSRP, on their online store. Choose free home shipping or free local store pickup (if available). Price valid... Read more
13-inch 2.6GHz Retina MacBook Pro on sale for...
Best Buy has lowered their price on the 2014 13″ 2.6GHz/128GB Retina MacBook Pro to $1149.99 on their online store for a limited time. That’s $150 off MSRP and the lowest price available for this... Read more
Kodak Returns to CES With New Consumer Produ...
Former photography colossus Kodak is returning to CES for the first time in three years where the Kodak booth (#21818 South Hall 1) will showcase a wide range of innovative, imaging-related products... Read more
Invaluable Launches New Eponymously -Named A...
Invaluable, the world’s largest online live auction marketplace, hhas announced the official launch of the Invaluable app for iPad, now available for download in the iTunes App Store. Invaluable... Read more
IDC Reveals Worldwide Mobile Enterprise Appli...
International Data Corporation (IDC) last week hosted the IDC FutureScape: Worldwide Mobile Enterprise Applications and Solutions 2015 Predictions Web conference. The session provided organizations... Read more

Jobs Board

*Apple* Store Leader Program (US) - Apple, I...
…Summary Learn and grow as you explore the art of leadership at the Apple Store. You'll master our retail business inside and out through training, hands-on experience, Read more
Project Manager, *Apple* Financial Services...
**Job Summary** Apple Financial Services (AFS) offers consumers, businesses and educational institutions ways to finance Apple purchases. We work with national and Read more
*Apple* Retail - Multiple Positions (US) - A...
Sales Specialist - Retail Customer Service and Sales Transform Apple Store visitors into loyal Apple customers. When customers enter the store, you're also the Read more
*Apple* Retail - Multiple Positions (US) - A...
Sales Specialist - Retail Customer Service and Sales Transform Apple Store visitors into loyal Apple customers. When customers enter the store, you're also the Read more
*Apple* Retail - Multiple Positions (US) - A...
Job Description: Sales Specialist - Retail Customer Service and Sales Transform Apple Store visitors into loyal Apple customers. When customers enter the store, Read more
All contents are Copyright 1984-2011 by Xplain Corporation. All rights reserved. Theme designed by Icreon.